![]() However, any director who cannot make a visually arresting film about Chanel should not be in the business. Jan Kounen’s cinematography is superb throughout the film, which begins with a vivid recreation of the chaotic Rite of Spring premiere. Igor Stravinsky and Coco Chanel were rumored to have had an affair. The story revolves around a designer who invites a composer and his family to reside in her home outside of Paris in the 1920s, sparking a friendship that eventually led to the exchange of several bodily parts. The creative mind behind the film’s title, Coco Chanel and Igor Stravinsky, deserves a round of applause. Igor Stravinsky: Coco Chanel and Igor Stravinsky (2010) He also confesses that despite his devotion to God and music, he will never match the genius of the giggling and irritable Mozart (Tom Hulce).īut despite all the silliness Peter Shaffer reveals through the mouth of Salieri genuine insights into Mozart’s music as he unfolds the glory of such works like Wind Serenade: “On the page there was just a pulse,” like an old-fashioned squeeze box then suddenly, high above it, an oboe-a single note hanging there, unwavering, until a clarinet took it over, sweetening into a phrase of such delight and filled with so unfulfillable longing, it seemed it was a phrase of such delight and filled with such unfulfillable longing,’ he writes.Ģ. ![]() F Murray Abraham’s Salieri (F Murray Abraham) is a broken man, both physically and mentally.ĭuring a confession to a priest, he admits to harboring a grudge against Mozart because of his own role in the composer’s deterioration and eventual death at the young age of 32. ![]() Start with the most well-known composer biography - not the first, but certainly one of the most glitzy and provocative. In this list, we’ve selected ten of the most well-known and assigned them a score from 1 to 5. In spite of this, the majority of ‘composer films’ are entertaining, and in some cases even excellent.
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